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Black Boy: A Record of Childhood and Youth, by Richard Wright
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Richard Wright grew up in the woods of Mississippi amid poverty, hunger, fear, and hatred. He lied, stole, and raged at those around him; at six he was a "drunkard," hanging about in taverns. Surly, brutal, cold, suspicious, and self-pitying, he was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common lot.
Black Boy is Richard Wright's powerful account of his journey from innocence to experience in the Jim Crow South. It is at once an unashamed confession and a profound indictment—a poignant and disturbing record of social injustice and human suffering.
- Sales Rank: #3429 in Books
- Brand: Harper Perennial Modern Classics
- Published on: 2007-03-27
- Released on: 2007-03-27
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.01" w x 5.31" l, .76 pounds
- Binding: Paperback
- 448 pages
Features
Review
Autobiography by Richard Wright, published in 1945 and considered to be one of his finest works. The book is sometimes considered a fictionalized autobiography or an autobiographical novel because of its use of novelistic techniques. Black Boy describes vividly Wright's often harsh, hardscrabble boyhood and youth in rural Mississippi and in Memphis, Tenn. When the work was first published, many white critics viewed Black Boy primarily as an attack on racist Southern white society. From the 1960s the work came to be understood as the story of Wright's coming of age and development as a writer whose race, though a primary component of his life, was but one of many that formed him as an artist. --The Merriam-Webster Encylopedia of Literature
About the Author
Richard Wright won international renown for his powerful and visceral depiction of the black experience. He stands today alongside such African-American luminaries as Zora Neale Hurston, James Baldwin, and Toni Morrison, and two of his novels, Native Son and Black Boy, are required reading in high schools and colleges across the nation. He died in 1960.
Excerpt. � Reprinted by permission. All rights reserved.
One winter morning in the long-ago, four-year-old days of my life I found myself standing before a fireplace, warming my hands over a mound of glowing coals, listening to the wind whistle past the house outside. All morning my mother had been scolding me, telling me to keep still, warning me that I must make no noise. And I was angry, fretful, and impatient. In the next room Granny lay ill and under the day and night care of a doctor and I knew that I would be punished if I did not obey. I crossed restlessly to the window and pushed back the long fluffy white curtains--which I had been forbidden to touch-and looked yearningly out into the empty street. I was dreaming of running and playing and shouting, but the vivid image of Granny's old, white, wrinkled, grim face, framed by a halo of tumbling black hair, lying upon a huge feather pillow, made me afraid.
The house was quiet. Behind me my brother--a year younger than I--was playing placidly upon the floor with a toy. A bird wheeled past the window and I greeted it with a glad shout.
"You better hush," my brother said.
"You shut up," I said.
My mother stepped briskly into the room and closed the door behind her. She came to me and shook her finger in my face.
"You stop that yelling, you hear?" she whispered. "You know Granny's sick and you better keep quiet!"
I hung my head and sulked. She left and I ached with boredom.
"I told you so," my brother gloated.
"You shut up," I told him again.
I wandered listlessly about the room, trying to think of something to do, dreading the return of my mother, resentful of being neglected. The room held nothing of interest except the fire and finally I stood before the shimmering embers, fascinated by the quivering coals. An idea of a new kind of game grew and took root in my mind. Why not throw something into the fire and watch it burn? I looked about. There was only my picture book and MY mother would beat me if I burned that. Then what? I hunted around until I saw the broom leaning in a closet. That's it ... Who would bother about a few straws if I burned them? I pulled out the broom and tore out a batch of straws and tossed them into the fire and watched them smoke, turn black, blaze, and finally become white wisps of ghosts that vanished. Burning straws was a teasing kind of fun and I took more of them from the broom and cast them into the fire. My brother came to my side, his eyes drawn by the blazing straws.
"Don't do that," he said.
"How come?" I asked.
"You'll burn the whole broom," he said.
"You hush," I said.
"I'll tell," he said.
"And I'll hit you," I said.
My idea was growing, blooming. Now I was wondering just how the long fluffy white curtains would look if I lit a bunch of straws and held it under them. Would I try it? Sure. I pulled several straws from the broom and held them to the fire until they blazed; I rushed to the window and brought the flame in touch with the hems of the curtains. My brother shook his head.
"Naw," he said.
He spoke too late. Red circles were eating into the white cloth: then a flare of flames shot out. Startled, I backed away. The fire soared to the ceiling and I trembled with fright. Soon a sheet of saw her taut face peering under the edge of the house. She had found me! I held my breath and waited to hear her command me to come to her. Her face went away; no, she had not seen me huddled in the dark nook of the chimney. I tucked my head into my arms and my teeth chattered.
"Richard!"
The distress I sensed in her voice was as sharp and painful as the lash of a whip on my flesh.
"Richard! The house is on fire. Oh, find my child!"
Yes, the house was afire, but I was determined not to leave my place of safety. Finally I saw another face peering under the edge of the house; it was my father's. His eyes must have become accustomed to the shadows, for he was now pointing at me.
"There he is!"
"Naw!" I screamed.
"Come here, boy!"
"Naw!"
"The house is on fire!"
"Leave me 'lone!"
He crawled to me and caught hold of one of my legs. I hugged the edge of the brick chimney with all of my strength. My father yanked my leg and I clawed at the chimney harder.
"Come outta there, you little fool!"
"Turn me loose!"
I could not withstand the tugging at my leg and my fingers relaxed. It was over. I would be beaten. I did not care any more. I knew what was coming. He dragged me into the back yard and the instant his hand left me I jumped to my feet and broke into a wild run, trying to elude the people who surrounded me, heading for the street. I was caught before I had gone ten paces.
From that moment on things became tangled for me. Out of the weeping and the shouting and the wild talk, I learned that no one had died in the fire. My brother, it seemed, had finally overcome enough of his panic to warn my mother, but not before more than half the house had been destroyed.
Most helpful customer reviews
109 of 112 people found the following review helpful.
I Could Thoroughly Relate
By A Customer
Like Richard Wright, I spent my teenage years reading only "classic" novels and therefore skipped over "Black Boy", which I assumed wouldn't be substantive enough for my tastes. Now that I've read it years later, I'm regretful that this stunning memoir wasn't a part of my consciousness when I was younger.
This is a story of racial dissonance-- and how horrifying it is to see the lengths that whites would go to to abuse and humiliate emancipated blacks!-- but it is also a story of a brilliant young man whose voice crosses racial bounds. I could identify with him completely, and I have little patience with those reviewers who've described him as "whiny" or "negative" or "hateful." I know what it feels like to grow up in a rural town and have people try to break you for having aspirations. I know what it's like to "feel and cultivate feelings" while others strive for "the trivial material prizes of American life," and I know that justifiable distrustfulness and resentment are not to be confused with hate.Most importantly, I know what it feels like to try to escape one's oppressive roots. The pain in this story was so real for me that I cried my way through many, many passages.
"Black Boy" should come as a revelation to black persons, white persons (like myself), and anyone who has ever hungered for their life to mean something more.
56 of 65 people found the following review helpful.
A Classic That Must be Read
By Dera R Williams
In my quest to either reread or read the first time some of the timeless classics by African American writers this year, I tried to avoid reading this one. I just wasn't up to reading about another downtrodden, poverty-stricken, living in the ghetto story. But it is more than that. This masterpiece is a commentary on a way of life in the early part of the 1900s, a life that many African Americans endured and survived coming through victorious.
Richard Wright recalls his poverty-stricken childhood, abandoned by a father, and physically abused and misunderstood by the adults in his life. Uncomfortable among his own people, he didn't fit in with the lifestyle of the blacks in his life nor could he abide the Jim Crow shuffling he had to do with whites. He found he could not compromise his values and knew he had to leave the south. The poverty was startling yet he chose to go back to live with his mother and grandmother when he could have stayed with an uncle where there was plenty of food.
With only an nine grade education, he was self-taught, reading and disciplining himself to pursue what he wanted most, to write. And write he did. He wrote stories and had them published when he was still in school and when he moved to Chicago he wrote for the Communist Party. With the Party, Wright thought he had found his niche, but again, he was the odd man out never conforming to their ideals.
As I read I kept saying, this is enough already. The poverty, the abuse, the Jim Crow and racism was a wearing me down. But this was a man who rose above his circumstances to have a life that was worth pursuing and living. I am intrigued by this man and his life and look forward to reading his most recent biography.
53 of 62 people found the following review helpful.
Autobiography
By Jeffrey Leach
Richard Wright is considered by many to be one of the premier Black American writers of the 20th century. He wrote a long string of books and essays before his death in 1960. Wright even wrote thousands of haiku poems and some plays. His best-known novel is probably "Native Son," a novel that takes a close look at Black America and it's relation to the penal system. Wright overcame huge obstacles to take a place among the great writers of his day, although I suspect he is more appreciated these days, when minority writers are all the rage. This book, aptly subtitled "American Hunger," is Wright's account of his tumultuous upbringing in the Jim Crow American South and his subsequent exodus to Chicago. The "Hunger" refers to both a physical hunger of poverty and a mental hunger for knowledge.
Most of the book concentrates on Wright's troubled childhood. His father abandoned the family at a young age, and for most of his youth Wright was bandied about amongst his frail mother, his psycho-religious grandmother, and a string of uncles and aunts. Wright rarely attended school, and when he did, he almost never stayed for more than two years in a row. His main occupation was trying to find work to feed his family and save for his trip to the North. Along the way Wright gives us many interesting stories about his youth and about the American South. Wright drank liquor heavily before he was seven, lived in a whorehouse, and even spent time in an orphanage. Despite all of these obstacles, Wright still managed to teach himself how to read and write. He was reading Sinclair Lewis and Theodore Dreiser in a time when to do so could spell disaster for a
Black man. His accounts of the discrimination he encountered while working in the South are pretty disturbing. Wright was threatened with bodily injury, pitted against his fellow Blacks, and forced to run errands for White workers during his lunch hour. Wright really brings home the dehumanization that a system like Jim Crow brings about. Wright himself had a tough time staying out of trouble because it was difficult for him to play "step `n fetchit." Whites seemed to sense his intelligence and most felt threatened by his mental faculties.
Wright left the South behind and headed North to what he felt would be a better life. It was, to some extent. It was easier to find work, although prejudice still followed him. Be sure and read about his job at the laboratory. It's a hoot! I can sympathize with him about people stepping on floors while they're being mopped. I've gone through that and felt the same rage Wright did. It was also in the North that Wright began his long dalliance with the Communist Party. This is the best part of the book, in my humble opinion. Wright candidly reveals the failings of Communism. According to Wright, the Communist party spent more time on internal bickering than trying to bring about revolution. There's even an incident where a certified lunatic ends up in a high position in a pro-Communist group. Wright himself suffered endless character assassination because he was an "intellectual," a big no-no in pro-Stalinist Communism. In short, Wright shows us that Communism, when taken from the ideal to reality, is a huge sham.
The biggest problem with this book is that it just seems to end with little fanfare. I would have been interested in hearing about Wright's trips to Europe and his stay in France. Still, this is an adequate book that gives a perspective that is often overlooked. I suspect that Wright would not be very impressed with the ghetto culture of today's world. Wright believed that Blacks have to lift themselves up and get out of poverty. Jesse Jackson and Al Sharpton would not be friends of Richard Wright. Overall, this book is well written and contains interesting anecdotes. Recommended.
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