Sabtu, 24 November 2012

[Z175.Ebook] Download Ebook Mom the Wolfman & Me, by Norma Klein

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Mom the Wolfman & Me, by Norma Klein

An eleven-year-old girl describes her life and relationship with her mother who has never married.

  • Sales Rank: #3637092 in Books
  • Published on: 1972-08-12
  • Released on: 1972-08-12
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 2
  • Binding: Hardcover
  • 128 pages

Most helpful customer reviews

11 of 11 people found the following review helpful.
A great favorite
By tzefirah
This is one of my all-time favorite children's books. I own a hardcopy and a paperback, and have read it several times over the years.
It's the story of a mother and daughter living alone together. The mother finds a hairy boyfriend that the daughter nicknames "The Wolfman." The story progresses as The Wolfman becomes more and more a part of their lives, until he finally moves in. This book is one of the earliest children's books to deal with a single mother and a live-in boyfriend. But the story is handled gracefully, and the child is fully accepting of the situation. If anything, the awkwardness of the adults makes the child want to make them more comfortable with the situation.
I highly recommend for either children, or for adult light (very light) reading.

3 of 3 people found the following review helpful.
Story a bit dated but enjoyable
By Mama Kitty
This is not a great book but still a good one. Though dated in many respects (Brett's mom isn't like others partly because she wears blue jeans all the time, kids are confused by the fact that Brett doesn't know her father), it still has some modern relevance. You have to respect Brett's mom, Deborah, for her independence, accepting the idea of marriage only on her own terms rather than because that's what's expected of her. Conversely, though, there's empathy for the other mother character in the book, who's desperate to get a husband and despairing when she doesn't.

3 of 11 people found the following review helpful.
Insipid tale through the eyes of a fatherless girl
By Melinda Warner
I just could not enjoy this book. The story is extremely dull, there is no depth to either the plot or characters, and nothing much happens. The text is so repetitive I found myself wanting to skip ahead in a book containing only 156 pages.

"Mom The Wolf Man and Me" is the story of 11 year old Brett Levin and her single mother. Brett's mom never married and never wanted to which suits Brett just fine. Suddenly, Theo (or Wolf Man as Brett calls him) comes into their lives and everything changes. The story unfolds in a very formulaic way and at the same time manages to go nowhere. You feel nothing for any of these two dimensional characters and there just isn't any conflict. The only parts of the book I enjoyed were Brett's interactions with her grandfather. While their relationship was sweet, it did not make up for the story overall.

Brett is probably the most apathetic, bland, and uninteresting character I have ever had the misfortune of reading about. Nothing seems to bother her much. Norma Klein takes the typical child-resents-new-man-in-mother's-life story makes the child as dull and agreeable as possible. After the entire book carefully builds up Brett's opposition to marriage and her aversion to change, she is upset about her mother's marriage and having to move for all of a page and a half, I kid you not (I counted). Of the marriage Brett says, "The day before the wedding Mom suddenly began acting funny. By now I'd gotten used to the idea of the whole thing. I mean, if you can't do anything about it, it's silly to make a big fuss." Gee whiz, I would have thought she'd be more upset, especially considering the chapters spent discussing how much she hated moving across the same town, much less out of state.

Decades ago makeup-less women in pants, intentional pill overdoses, women marching in Washington, men baking, and babies born out of wedlock MIGHT have made this an interesting read. It's just that once the "shock" of these things is gone, there isn't much left to the story.

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Selasa, 20 November 2012

[C829.Ebook] Free PDF The Design and Implementation of the 4.3 BSD UNIX Operating System, by Samuel J. Leffler, Marshall Kirk McKusick, Michael J. Karels, John

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This covers the internal structure of the 4.3BSD systems and the concepts, data structures and algorithms used in implementing the system facilities. Also includes a chapter on TCP/IP.

  • Sales Rank: #1485657 in Books
  • Published on: 1989-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.75" w x 1.00" l, 1.80 pounds
  • Binding: Textbook Binding
  • 448 pages

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4 of 4 people found the following review helpful.
Wonderful insights into operating system concepts
By Douglas W. Goodall
This book was like candy for my brain. I learned so much while reading it. I gained a profound appreciation for the "Berkeley" approach to computer science. Many of the concepts I learned helped me later ether by providing insights into why things were done a certain way, or giving me patterns to use in my own work.

A beautiful example of things that stayed with me are the "MBUFS". These memory buffers are the cornerstone of protocol design, and they by their nature optimize code by cutting down on the need to copy things around.

Anyone that considers themselves a "Systems Programmer" might want to to take the time to read this book. I think it is life-changing.

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Kamis, 15 November 2012

[G650.Ebook] PDF Download 1,000 Places To See Before You Die - A Traveler's Life List - New Full Color Second Edition, by Patricia Schultz

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1,000 Places To See Before You Die - A Traveler's Life List - New Full Color Second Edition, by Patricia Schultz

  • Published on: 2011
  • Binding: Paperback

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Sabtu, 10 November 2012

[P749.Ebook] Ebook Download Creativity and Spirituality: Bonds Between Art and Religion, by Earle J. Coleman

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Drawing from six living faiths, this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience.

"Professor Coleman has produced an original, insightful, and very challenging book. I always suspected there's an ultimate bond between art and religion, but he has defined the link between the two with greater clarity and precision and insight than anyone in the past has ever even attempted. For those interested in art and those interested in religion and those interested in a relationship between the two, this book is an absolute must." -- Andrew Greeley, The University of Chicago

From the architecture of Frank Lloyd Wright to the rock gardens of Zen Buddhism, Coleman explores applied, fine, and folk arts in order to uncover points of coalescence between art and religion. Drawing from six living faiths (Buddhism, Christianity, Hinduism, Islam, Judaism, and Taoism), this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience. Coleman repeatedly shows that aesthetic ideas can serve as bridges to spiritual categories, as when he relates aesthetic bliss to "the peace that passes all understanding."

The author follows a three-fold approach; first, he examines ideas and motifs from religious classics in world literature, such as Lao Tzu's Tao Te Ching and The Interior Castle by Teresa of Avila, in order to relate them to aesthetic phenomena. Second, he turns to the statements of artists, such as Leo Tolstoy, Vincent van Gogh, Paul Gauguin, Shih-t'ao, and Wassily Kandinsky, for themes and practices that have religious significance. Third, he analyzes and evaluates the writings of various theoreticians--philosophers, theologians, art critics, sociologists, and psychologists--on the relations between art and religion. Coleman demonstrates, for example, that Martin Buber's I-Thou relationship captures much that is central to art, creativity, and aesthetic experience as well as to religious life.

Among the themes that receive sustained treatment are: the varieties of union in art and religion, the child as a paradigm for artists and saints, and creativity as essential to religion. Finally, the author critically weighs proposed distinctions between art and religion and between the broader categories of the aesthetic and the spiritual, rejecting some and showing how others are compatible with his proposal that the aesthetic and the spiritual are cognate categories.

  • Sales Rank: #424674 in Books
  • Color: Red
  • Brand: Brand: State University of New York Press
  • Published on: 1998-02-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .59" w x 6.00" l, .83 pounds
  • Binding: Paperback
  • 260 pages
Features
  • Used Book in Good Condition

Review
Professor Coleman has produced an original, insightful, and very challenging book. I always suspected there s an ultimate bond between art and religion, but he has defined the link between the two with greater clarity and precision and insight than anyone in the past has ever even attempted. For those interested in art and those interested in religion and those interested in a relationship between the two, this book is an absolute must. Andrew Greeley, The University of Chicago"

About the Author
Earle J. Coleman is Associate Professor of Philosophy and Religious Studies at Virginia Commonwealth University. He is the author of several books, including Varieties of Aesthetic Experience and Philosophy of Painting by Shih-t'ao.

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4 of 4 people found the following review helpful.
Articulate and Mind-Opening
By w.s.
I rented this book from my university's library, intrigued by the title. Being both a highly passionate artist and a deeply spiritual person, I was immediately interested. I have always suspected that there were relations between artistic and religious acts, and author Earle J. Coleman expands on this theory, with a lot of illuminating, penetrating insight. He discusses that both art and religion involve a communication and inspiration from a divine source (possibly the same source) and that all artists and theologists should strive to remain in touch with that divinity in many ways, such as expressing your inner child (in order to be open, faithful, and nonjudgmental), being a receptive vessel for inspiration and creative energy, and setting aside shallow ego desires in order to be fully immersed in the creative/spiritual process. Coleman states that while he does not believe that art and religion are completely intertwined, he believes that the two subjects intermingle in many ways like the creative art and fables found in religions and churches, and the transformative, cathartic power of creative work. Reading this article renewed my passion and faith in my craft, as well as the enigmatic Higher Power that works through me in order to express that craft.

0 of 0 people found the following review helpful.
One Star
By Heather Wilkinson
Boring

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Selasa, 06 November 2012

[X705.Ebook] Ebook Falling for Mr. Darcy [Paperback] [2012] (Author) Karalynne MackroryFrom Meryton Press

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Falling for Mr. Darcy [Paperback] [2012] (Author) Karalynne MackroryFrom Meryton Press

  • Published on: 2012
  • Binding: Paperback

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Minggu, 04 November 2012

[A666.Ebook] Download Bone Wars: The Excavation Of Andrew Carnegie's Dinosaur, by Tom Rea

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Bone Wars: The Excavation Of Andrew Carnegie's Dinosaur, by Tom Rea

Winner of the 2002 Spur Award for Best Western Nonfiction - Contemporary


Less than one hundred years ago, Diplodocus carnegii—named after industrialist and philanthropist Andrew Carnegie—was the most famous dinosaur on the planet. The most complete fossil skeleton unearthed to date, and one of the largest dinosaurs ever discovered, Diplodocus was displayed in a dozen museums around the world and viewed by millions of people.

Bone Wars explains how a fossil unearthed in the badlands of Wyoming in 1899 helped give birth to the public’s fascination with prehistoric beasts. Rea also traces the evolution of scientific thought regarding dinosaurs, and reveals the double-crosses and behind-the-scenes deals that marked the early years of bone hunting.

With the help of letters found in scattered archives, Tom Rea recreates a remarkable story of hubris, hope, and turn-of-the-century science. He focuses on the roles of five men: Wyoming fossil hunter Bill Reed; paleontologists Jacob Wortman—in charge of the expedition that discovered Mr. Carnegie’s dinosaur—and John Bell Hatcher; William Holland, imperious director of the recently founded Carnegie Museum; and Carnegie himself, smitten with the colossal animals after reading a newspaper story in the New York Journal and Advertiser.

What emerges is the picture of an era reminiscent of today: technology advancing by leaps and bounds; the press happy to sensationalize anything that turned up; huge amounts of capital ending up in the hands of a small number of people; and some devoted individuals placing honest research above personal gain.

  • Sales Rank: #1862700 in Books
  • Brand: Rea, Tom
  • Published on: 2004-05-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, .95 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

From Library Journal

When Pittsburgh steel tycoon Andrew Carnegie opened the Carnegie Institute in 1895, he hoped that his friend O.C. Marsh would provide a dinosaur for his new museum. However, Marsh died in 1898, leaving Carnegie without a dinosaur. Then the New York Post published a story about a colossal sauropod skeleton found in Wyoming by a man named Bill Reed. Carnegie was determined to get the fossil for his museum, but the University of Wyoming was just as determined. Carnegie's fortune eventually won the prize. When the dinosaur was excavated, it was named Diplodocus carnegii in his honor, and casts of the fossil were displayed around the world. Journalist Rea researched the tale of the Diplodocus fossil from original correspondence. He begins his book where the famous feud between Marsh and Edward Drinker Cope ended, skipping the earlier history of fossil discoveries in the Western United States, which has already been covered in David Wallace's The Bonehunters' Revenge (LJ 9/15/99) and Mark Jaffe's The Gilded Dinosaur (LJ 1/00). Recommended for academic and public libraries. Amy Brunvand, Univ. of Utah Lib., Salt Lake City

Copyright 2002 Cahners Business Information, Inc.

From Booklist
In the late 1800s, the discovery of dinosaur bones in Wyoming sparked a scientific gold rush among museums, universities, and individuals looking for a part of the glory and fame. Among the interested parties was steel magnate Andrew Carnegie, who, at that time, was looking to sell his business interests and build a museum. Carnegie's agent, a man named Holland, found himself drawn into a tumultuous race for the biggest and best skeleton yet. Very few tactics were considered too heinous to be employed by someone. As the museums and universities lured away and recruited one another's scientists and fossil prospectors, Holland explored loopholes in the land-claim laws that might allow him to take possession of land on which discoveries had already been made. Others, in the fields, smashed and destroyed dinosaur bones so that no one else would find them intact. Rea pieces together countless bits of information to construct an overall picture of this period of scientific discovery. Gavin Quinn
Copyright � American Library Association. All rights reserved

Review
"An account of the intrigue, manipulation, rivalry, and skullduggery by which Andrew Carnegie obtained a world-class dinosaur skeleton for his newly founded museum in Pittsburgh.... A good read." - Bloomsbury Review; "[A tale] of hubris and humanity, power and pride.... Reads like a novel." - Billings Gazette; "A little known story about Diplodocus carnegil, the fossil... destined to be the most famous dinosaur of all time." - Deseret News; "Rea's book is charming, and especially good in telling the story of the minutiae of the field work." - TLS; "Includes not only the highly competitive world of the still-new science of paleontology in Wyoming and around the world, but Wyoming history and politics, Western railroading, Carnegie and his part in the steel business, the growth of Carnegie's adopted home city of Pittsburgh, and Antarctic exploration. It's an unlikely mixture that Rea pulls off well." - Jackson Hole News; "Carnegie's agent, a man named Holland, found himself drawn into a tumultuous race for the biggest and best skeleton yet. Very few tactics were considered too heinous to be employed by someone. As the museums and universities lured away and recruited one another's scientists and fossil prospectors, Holland explored loopholes in the land-claim laws that might allow him to take possession of land on which discoveries had already been made. Others, in the fields, smashed and destroyed dinosaur bones so that no one else would find them intact. Rea pieces together countless bits of information to construct an overall picture of this period of scientific discovery." - Booklist"

Most helpful customer reviews

7 of 7 people found the following review helpful.
An extensive bibliography and index enhance this truly enjoyable and informative history
By Midwest Book Review
Knowledgeably written by former journalist Tom Rea, Bone Wars: The Excavation And Celebrity Of Andrew Carnegie's Dinosaurs is the award- winning true story of how a Diplodicus carngeii fossil (named after famous industrialist and philanthropist Andrew Carnegie) found in the Wyoming badlands helped bring about public fascination with the great beasts of millennia past. Though Bone Wars is entirely nonfiction, it is so deftly written that it reads like a novel as it follows the battles of individuals, conflicting scientific theories, and even instances of backstabbing and double-crossing in the bone-hunting world of a century past. An extensive bibliography and index enhance this truly enjoyable and informative history, which is especially recommended for dinosaur and paleontology enthusiasts.

8 of 11 people found the following review helpful.
Bruce Millers Review
By A Customer
Where Dead Voices Gather
Nick Tosches
Little Brown and Company
writer: BRUCE MILLER
With his big bushy moustache and sun-weathered skin,
Tom Rea looks like one of the tough paleontologists staring
out of one of the black-and-white photographs in his book,
Bone Wars: The Excavation and Celebrity of Andrew Carnegie's
Dinosaur. His voice, though, has the soft polite tone of a
professional who has worked indoors for the better part of his
life. Imagining Rea to be like one of the men he wrote about is
probably a tribute to how vividly he portrays the people who
made Carnegie's dinosaur such a sensation. Rea is quick to
cite the abundance of letters he used as primary source material.
"The whole story is filled with interesting characters," says Rea.
"The personalities are so strong in those letters. I don't know if
it's the line of work that draws strong-minded people to it --
they certainly weren't in it for the money -- but in any case they
didn't want other people to get in the way of finding out what
the bones could tell them. Sometimes they disagreed quite strongly."
Rea comes from a family that knows geology and paleontology
-- his uncle is a geologist; his brother is a geologist at the
University of Michigan; geology was also his mother's avocation
-- but he came to write his book by following a less scientific
path. He grew up in Pittsburgh looking at Carnegie's dinosaur
at the Carnegie Museum. After graduating from Williams
College in Massachusetts in the early 1970s, Rea spent a few
summers visiting his uncle's ranch. He became a reporter for
the Wyoming's Casper Star-Tribune for the next 13 years,
though he maintained an amateur interest in geology and
paleontology. In 1990, he started working on an article
for the paper about, how Carnegie's famous dinosaur
made its way from Wyoming to Pittsburgh.
During his research, he became fascinated with the fossil digs
and disputes that surrounded the unearthing of the bones.
When he quit the paper in 1998, he wanted to write a
book about a number of these controversies,
but an editor suggested he focus on just one. Then, in 1999,
he came to the Carnegie Museum.
"Not until I got here did I realize how many letters they were,"
says Rea. "They had archives there that yielded all the
resources to write the book I wanted to write."
Correspondence between Carnegie and then-museum director
William Holland, who Rea says figures as "the Darth Vader of
the story," was right next door at the Carnegie Library. Rea
ended up using the archives of a number of Pittsburgh groups.
"[Holland's] secretary typed and saved every letter, even put
them in chronological order, so it was very easy to follow,"
Rea says.
The first person who caught Rea's attention was Bill Reed, the
tough, autodidactic Wyomingite who found Carnegie's dinosaur.
"He was a frontiersman who was dealing with people from the
East who didn't particularly respect him because he was a
Westerner," Rea says. "It was a different time back then. A guy
like Reed who'd been a buffalo hunter and snow shoveler on
the railroad was one acquaintance away from the richest man in
the world. Although the men were divided profoundly by class
and opportunity, they were still all connected."
The story of Carnegie's dinosaur was "a natural for a book,"
and Rea easily sold the idea to the University of Pittsburgh
Press, then wrote it in a year and a half. This is Rea's first
published book, though perhaps not his last. Now he is
considering writing book about Earl Douglas,
the paleontologist who found the Jurassic quarry
of dinosaur bones that is now the Dinosaur National Monument
in Utah and Colorado.

0 of 0 people found the following review helpful.
The author did an excellent job of researching 'who done what and when'
By JBB1
Not much intrigue in this book. The author did an excellent job of researching 'who done what and when', but the story lacked excitement. I was counting pages to read about midway. Someone who is really into the history of dinosaur bone hunting a century or so ago would probably get a lot out of this book, I did not. One thumb up.

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